Opening hours Gallery closed until 24 May 2024

Flo Brooks


Flo Brooks


Flo Brooks, Harmonycrumb (2023). Installation view, Spike Island, Bristol. Courtesy the artist and Project Native Informant. Photograph by Dan Weill



Spike Island is excited to present Harmonycrumb, a new commission by Flo Brooks exploring trans and gender-nonconforming histories through painting and assemblage.

The exhibition includes seven acrylic paintings appliqued onto found fabric, and six assemblages composed of lino flooring cutouts and handmade objects. Together, these works explore speculative entanglements between Brooks’ own life and the experiences of different historical figures, including military leader Joan of Arc (1412-31), ‘female husband’ Charles Hamilton (1721-46), and physician Michael Dillon/Lobzang Jivaka (1915-62).

Embedded in the materials of domestic space, which Brooks describes as ‘the first space of dreaming, fantasising, worlding,’ each work originates from fragments of these people’s lives, gleaned from newspaper clippings, autobiographical descriptions and visits to the places they lived and worked.

In one painting, Michael Dillon/Lobzang Jivaka is depicted riding a motorbike through the countryside. He is surrounded by images and ephemera that relate to the former College Motors garage in Bristol, where he wrote a ground-breaking book about transexualism, Self: A Study in Ethics and Endocrinology, in 1946. In another, Charles Hamilton, who worked as a quack in Somerset, is shown at a market cross, assembling and selling bottles of 18th-century medicines with mysterious-sounding names, such as ‘Sovereign Elixir’ and ‘Viper Drops’. Motifs from Brooks’ own life also appear throughout, forming layered and interweaving narratives that span time and space.

Extending out from the paintings, the floor assemblages support a range of objects and ephemera that are either appropriate to, or out of step with, the period. Some of these objects are placed on and around the lino, which undulates across the floor. Others, such as a broken candlestick and one of Joan of Arc’s sabatons (plate armour shoes), emerge from cut out ‘windows’.

Collaging together different places, eras and individuals, Brooks’ works resist simplified representations of trans and gender non-conforming lives. Rather they open up a flexible space for the unfolding of multiple perspectives, shifting identities and evolving relationships. They are not historical portraits but dream-like scenarios: fragmented, mutable, incomplete.

“Like saints in religious paintings, these androgynous figures appear like long-lost friends or guardian angels...” – ELIZABETH FULLERTON, FRIEZE

“Small, colourful forms... invite us to meander between the works and lose ourselves in these dreams and speculative visions of harmonious, inclusive worlds where hope and resilience flourish.” – ELIZABETH FULLERTON, FRIEZE


Flo Brooks (b. 1987) is an artist based in West Cornwall. He works across painting, collage, publication, installation and social practice. Merging autobiography with fiction, Brooks’ works coalesce around ideas of selfhood, belonging and temporality, most often taking form in densely layered acrylic paintings that for him act as a kind of repository for complex feeling, memory and social and political histories.

Recent solo exhibitions include: Be tru to your rec, Project Native Informant, London, 2022; Angletwich, Brighton CCA, which travelled to Tramway, Glasgow, 2020 – 2021, and Scrubbers, Project Native Informant, London, 2018. Group exhibitions include Bodies in space, MIRROR, Plymouth, 2022, SEEN, Newlyn Art gallery and The Exchange, Cornwall, 2022, Beano: The Art of breaking the rules, Somerset House, London, 2022, and Kiss my genders, Hayward gallery, London, 2019.

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The exhibition is part of the West of England Visual Arts Alliance programme, supported by Arts Council England.

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