A solo exhibition by painter Denzil Forrester, including new and existing paintings and works on paper that capture the vibrant energy of the dimly lit dancehalls of 1980s London and the present-day open-air clubs of Jamaica.
Denzil Forrester (b. 1956, Grenada, based in Truro, UK) studied at the Central School of Art, London in 1979 and at the Royal College of Art, London in 1983. Recent solo exhibitions include A Survey, Stephen Friedman Gallery, London (2019); From Trench Town to Porthtowan, Jackson Foundation, St. Just (2018); White Columns, New York; Tramps, London (both 2016), all curated by Peter Doig and Matthew Higgs; Two Decades of Painting, The Edward Wilmot Blyden Project (2002); Memory and Images, Peterborough Museum & Art Gallery (1996). His work has been included in group exhibitions at Somerset House, London (2019); Tate Britain, London; Metro Pictures, New York (both 2017); Royal Academy of Arts, London (2000); The Studio Museum in Harlem, New York (1997); Barbican Art Gallery, London (1995); Whitechapel Gallery, London (1986) and Ashmolean Museum, Oxford (1984). He was awarded a scholarship by the British School at Rome in 1983-85 and a Harkness Fellowship in New York in 1986-88. Forrester’s commissioned work, Brixton Blue, a reinterpretation of his seminal work Three Wicked Men (1982), is currently installed at Brixton Underground station in South London.
Presented in partnership with Nottingham Contemporary, where the exhibition will be on display from 8 February to 3 May 2020.