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Becky Beasley

Spring Rain

Becky Beasley

Spring Rain

Becky Beasley, Spring Rain (2013) installation view, Spike Island, Bristol

Information

Information

British artist Becky Beasley explores relationships between photography and objects, the body and interiority in a way that is highly subjective and yet developed through deep immersion in the thoughts and methods of other artists and writers. Literature is particularly generative for the artist, providing her own work with a place to start from and to journey into.

The title of the exhibition is taken from a short story by Jewish American writer Bernard Malamud (1914-1986). A minimal tale of the ambiguities of everyday human relations,  of things unsaid or unsayable, the story opens onto concerns that lie at the heart of Beasley’s practice. The exhibition adopted the story’s cyclical structure, offering a passage through three distinct spaces that embody distinct encounters with self and others.

Another reference central to Beasley’s thinking for the exhibition was Étant donnés (1946–1966), the canonical installation by Marcel Duchamp. Created secretly towards the end of his life, it offers a view through peepholes onto an ambiguous constructed scene. This sealed, unknowable interior that looms so large at the heart of 20th century art history informed a specially commissioned linoleum floor piece by Beasley for this exhibition.

The rhythms and forms of daily life were also a source of inspiration for the new work. Varieties of cucumbers proliferate throughout the exhibition; grown from seed by the artist, they operate variously as proxies for vitality, growth, reproduction and acts of tending and nurturing. Multiple brass casts of tiny gherkins formed a shimmering mobile – the spring rain of the title – while a series of hand-tinted photographs of curly cucumbers shot on stark white backgrounds, like marks made on paper, pushed towards language. The artist frequently reflects on family, and on 16 March her father, Peter Beasley, was present in the gallery to meet visitors.

These new works were accompanied by two displays of work by other artists selected by Beasley. The first was a grouping of Richard Hamilton’s Interiors prints, while the second consisted of photographs of vegetables by Charles Jones, a Victorian gardener and self-taught photographer. These bodies of work reflected Beasley’s interests in still life and the domestic and have been significant in the development of her practice.

Arguably a wildly ambitious endeavour, like a contemporary Don Quixote, Beasley attempts to catch life in all its strangeness. Spring Rain presented a richly informed yet joyously simple and deeply enigmatic meditation on the passages of human encounter and experience.

Spring Rain toured to Leeds Art Gallery from 11 July to 29 September 2013.

Becky Beasley, Spring Rain (2013)installation view, Spike Island, Bristol
Becky Beasley, Spring Rain (2013)installation view, Spike Island, Bristol

Becky Beasley

These new works were accompanied by two displays of work by other artists selected by Beasley. The first was a grouping of Richard Hamilton’s Interiors prints, while the second consisted of photographs of vegetables by Charles Jones, a Victorian gardener and self-taught photographer. These bodies of work reflected Beasley’s interests in still life and the domestic and have been significant in the development of her practice.

Arguably a wildly ambitious endeavour, like a contemporary Don Quixote, Beasley attempts to catch life in all its strangeness. Spring Rain presented a richly informed yet joyously simple and deeply enigmatic meditation on the passages of human encounter and experience.

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