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Amitai Romm

Amitai Romm

Amitai Romm, Parable (2017) Steel, neodymium magnets and flexicalymene trilobites. Photograph courtesy Julia Jaksch

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A major new commission and the first UK solo exhibition by artist Amitai Romm. Often combining archaic, mundane and high-tech materials and references – from trilobite fossils to biotech membranes and household spices – Romm makes drawings, sculptures and installations as forms of science fiction.

Amitai Romm, Keeper (2019) Citron fruit, plastic, vacuum pump, tubes and fittings. Installation view, Macula Lutea, VEDA, Florence (2019). Photograph by Flavio Pescatori.
Amitai Romm, Keeper (2019) Citron fruit, plastic, vacuum pump, tubes and fittings. Installation view, Macula Lutea, VEDA, Florence (2019). Photograph by Flavio Pescatori.

Amitai Romm

Amitai Romm (b.1985, Jerusalem, based in Copenhagen, Denmark) studied at the Jutland Art Academy, Akademie der Bildenden Künste Vienna and the Royal Danish Academy of Fine Arts. Recent solo exhibitions include: Macula Lutea, VEDA, Florence (2019); Hibernation, Tranen, Gentofte (2017); and How shall the sea be referred to, Bianca D’Alessandro, Copenhagen (2016). His work has been included in group exhibitions at Moderna Museet, Stockholm; Vermillion Sands, Copenhagen (both 2019); the Dorothea Von Stetten Award, Kunstmuseum Bonn (2018); Kunsthal Charlottenborg, Copenhagen (2017); New Galerie, Paris (2015). In 2018 he was the recipient of the Niels Wessel Bagges Kunstfond and in 2017 he received the Grosserer L.f. Foghts Fond. Romm is a co-founder of Diakron, a studio for transdisciplinary research and practice, and Primer, a platform for artistic and organisational development, located in the headquarters of the global water technology company Aquaporin in Kgs. Lyngby, Denmark.

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