Maeve Brennan, The Drift (2017) Installation view, Spike Island, Bristol. Courtesy of the artist. Photograph by Stuart Whipps

Study Day: How Do Artists and Arts Institutions Really Work?

Wednesday 28 February 2018, 10am–4pm

Iman Issa <i>Material </i>(2017) Installation view, Bielefelder Kunstverein. Photograph by Philipp Ottendörfer

Exhibition Tours: Iman IssaLed by History of Art students from the University of Bristol

Saturday 24 February 2018, 2–3pm

Zoe Gilbert, photograph by Lucy Johnston

Novel WritersZoe Gilbert Folk

Thursday 22 February 2018, 6.30–8pm

Natasha Rosling <I>Organ of Admittance</i>(2013)

Behind the Scenes Studio VisitsNatasha Rosling

Saturday 17 February 2018, 2–3pm

Sally O’Reilly, The Annual Retrieval, Part One: five appeals to Mars Nodens using the flotational-rejectamenta-to-completion technique (2016)

Talk: Sally O'Reilly

Tuesday 30 January 2018, 6–7.30pm

Cally Spooner, <i>Post-production</i> (2015) Installation view, Spike Island. Photograph by Stuart Whipps

Study Day: Exploring Film and Video Presentation

Wednesday 24 January 2018, 10am–4pm

Georgia Hughes (left) Headdress for West Dean: I can’t hear, I can’t see you (2016); (right) An Orientalist Eye: Costumes From Around The World (Book, 1921) Installation (2016)

Behind the Scenes Studio VisitsGeorgia Hughes

Saturday 20 January 2018, 2–3pm

Novel WritersAnneliese Mackintosh So happy it hurts

Thursday 18 January 2018, 6.30–8pm

Launch: ANONHurst Street Press

Thursday 30 November 2017, 7–9pm

Hannah Murgatroyd <i>Hand To Mouth</I> (2017) Oil on canvas

Behind the Scenes Studio VisitsHannah Murgatroyd

Saturday 18 November 2017, 2–3pm

Art and Its MaterialsLed by Marina Vishmidt, Lecturer in Culture Industry at Goldsmiths, University of London

Thursday 16 November 2017, 6–7.30pm

Photograph courtesy Lee Chunhee

Han Kang The White BookReading and Conversation with Max Porter

Tuesday 14 November 2017, 6.30–8pm